In Real Artists Don’t Starve: Timeless Strategies for Thriving in the New Creative Age, author Jeff Goins encourages artists of all varieties to forget what he calls “the myth of the starving artist” and start making steps toward being a “thriving artist.” I imagine many readers may find at least one thing helpful, motivating, and/or inspiring, but the work in its entirety is often contradictory and unconvincing—not once is it demonstrated that anyone ever has or will travel the entire path anecdotally articulated by Goins. While many aspiring and current career artists (emphasis on career) will relate to one story or another, careful readers will see how data has been cherry picked and organized in such a way that presents the best evidence for the agenda of each chapter. There is no cohesive link that connects all attributes of the “thriving artist” as articulated, although attempts are made to use Michelangelo as the test case. Ultimately, Goins desires artists to be smart, flexible, and business savvy, which is great; however, life context is not the same for everyone, and the “starving artist” is a reality, not a myth, for numerous reasons. While we may certainly desire that artists (at least the good ones, as we perceive them) have a path for obtaining a wonderfully prosperous and fulfilling career, it simply isn’t and won’t be the case for everyone.
The book is outlined as follows (my words in parentheses):
Introduction: Myth of the Starving Artist (Except that it’s a reality, and Goins acknowledges this in the text. I think the whole book simply demonstrates his desire is to make it a myth, which would be great.)
Part 1: Mind-Set
1 You Aren’t Born an Artist (This is really addressing careers, not artistic talent.)
2 Stop Trying to Be Original (We learn from history, so use history. There’s little to no originality in the world, but there’s a lot or organizing and rearranging. I don’t think that means we don’t try to be original.)
3 Apprentice Under a Master (Yes, please! This path will often require contradiction between other points in the book, but it’s one we desperately need to bring back in Western culture.)
4 Harness Your Stubbornness (This doesn’t mean you let go of principles and ideals, but an artist must remain flexible in the many details of a career as an artist.)
Part 2: Market
5 Cultivate Patrons (Easier for extroverts and the less humble—not the same thing, by the way—this can be tough, but a necessity for a career. Find people who like and want to spread your work.)
6 Go Join a Scene (Easier said than done. Single folks will find this to be a lot easier than those with spouses and families. Still, we need beauty everywhere, not just in metropolitan pockets.)
7 Collaborate with Others (It’s extremely helpful and often necessary to further one’s skills, ideas, etc.)
8 Practice in Public (This goes with chapter 5—another hard one, but helpful in the proper contexts.)
Part 3: Money (The really hard part.)
9 Don’t Work for Free (Unless you have to, which is one of the biggest problems. The anecdotes used in this chapter are of those well into their careers, not those just starting out.)
10 Own Your Work (Another difficult one, and something one should definitely work toward if able. Again, anecdotes used here are of those able to do so.)
11 Diversify Your Portfolio (As with many careers, one often discoveries one must be able to do more than one thing—art, marketing, business, etc.)
12 Make Money to Make Art (Some will need a second job to make art while others will make enough—or more than enough—with their art to make more. Stuff requires money, so you’re going to need it. It’s simple economics.)
Conclusion: Join the New Renaissance (Go buck the system! Or stay as you are. You know, whatever works for your career and ideals.)
In the endnotes, Goins provides a link for the sources and data used for this book: dontstarve.com/tools
*Disclosure of Material Connection: I received this book free from the publisher through the BookLook Bloggers book review bloggers program. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
